Archive for June, 2008

So Mr. Merrick has ‘tagged’ me with a ‘meme’. I was wondering how to pronounce meme - does it rhyme with beam and team, or is it like French, as in ‘le meme histoire’, which has one of those pitched-roof accent thingies over the first ‘e’. Then I thought, ah, me me. A me me. Is it a me me?

The last time I heard ‘tag’ used a verb, it was said by one Wexford man to another, something like this “Well boss! Did you tagg’er?

Anyway, I like picking songs, especially when there are constraints, so I’ll give this a whirl, partly because it might amuse me, and partly because I feel like a Thai elephant driver has passed me whatever it is he is smoking.

So firstly, here are the instructions:

List seven songs you are into right now. No matter what the genre, whether they have words, or even if they’re not any good, but they must be songs you’re really enjoying now, shaping your [summer]. Post these instructions in your blog along with your 7 songs. Then tag 7 other people to see what they’re listening to.

This is not easy. I don’t want to use any song I’ve used in a recent muxtape, or one that I’ve mentioned on the blog recently. I’m also very limited in my listening lately, as my PC got electrocuted (the one with all the music on it), and my Zen committed shoeicide, leaving me with a 2gb ipod and no way of changing the songs currently on it. I’m going to try to include songs that I’ve not been skipping when it’s on shuffle, because I skip most of them. I reckon I must like the ones I don’t skip… So, here’s what I’ve come up with:

Radiohead - Down Is The New Up. This song just works in my head, it makes my spine straighten. That chord progression + that voice. It has that menace that’s so hard to capture in a song (or, at least if it’s easy, not many people seem to do it). Here’s the In Rainbows disk 2 version, complete with drums and strings, which I want played at my funeral. Unless, that is, Thom Yorke outlives me, in which case I want him to come in person, and play it like this.

Magneta Lane - Ugly Socialite. I came across this Toronto girl-band quite by accident a couple of years ago, and there’s nothing particularly remarkable about them, but for some reason I never skip this song. It’s just simple, melodic power-pop fuzz, but Lexi Valentine’s voice ticks a box for me somewhere. I suppose it’s a bit deadpan-Chrissie Hynde fronting.. er, The Bravery. Which should be awful. Can’t find a decent video of it either. I’ll put it (and the other six) in a muxtape when/if my PC can be resuscitated.

Jeff Wayne - War of the Worlds. I acquired this on vinyl lately. Check out the crazy video with full orchestra, someone’s dad conducting, floating-head man narrating, etc. Worth hanging around for the 6 minute mark, where the old dude comes on and sings. It’s fantastic, reminds me of the two best tunes of all time. The Ulysses 31 and The Mysterious Cities of Gold soundtracks. (I’m not joking either, I want them played at my funeral also).

Rory Gallagher - Tattoo’d Lady. I love this song. And this video is great - it’s got a few minutes at the start where he’s in some backstage dump tuning up and chatting with his band. The bit where he talks about his famous battered old Stratocaster is great. It’s the most obvious Gallagher song to pick, but there’s nothing wrong with that. This man has a corner named after him, not a street, a fucking corner. Dublin, doing things by halves since 140 AD.

The Rolling Stones - Brown Sugar. I don’t have a link to this either - I wasn’t crazy about any of the youtube videos, but I’m picking it anyway. It’s another song I rarely skip. It’s pretty much got everything you’d want from a Rolling Stones song - instantly recognisable intro, bluesy rock rhythm, those open-tuned chords that define many Stones classics, and a pretty dubious and controversial lyric on top. If you don’t like the Stones get off my blog.

Port O’Brien - I Woke Up Today. This tune is starting to get some mainstream radio play over here now, and deservedly so. They were enjoyable at Tripod a while back. It’s also a pretty apt song for me at the moment, as I’m having great difficulty getting up in the morning. Maybe I should make this my alarm. Fun, shouty, and a silly video.

And I’m supposed to tag seven other people. I generally hate forwards and chain emails and such shite, so I’m reluctant to do that. But I’ll tag Chanberry, and Indie Limerick, and Milkbox. And anyone else who wants to tag themselves - go right ahead.

 

Licky Lee was in a sold-out Sugar Club last Thursday night, and so was I. I was in the audience. She was on the stage, with her band. Her third name is Timotej, a bit like the shampoo, and she has spent winters in India and Nepal, according to Wicklowpedia.

Anyway, it was good, she was good, and it sounded good, but she seemed intent on putting on a “rock concert”, as she put it. The Sugar Club is a terrible place for a rock concert. For anybody who has never been, it’s a small venue with graduated couch & table seating going from the stage to the bar at the back. So there we all were at the “rock concert”, lounging on couches, much to Licky’s dismay. “I’m not the Dalai Lama!” she said, appealing for us to be upstanding, but we just smiled and applauded politely.

For the very last song of the set, ‘Breaking It Up’, a second appeal finally got some people up to dance, and they were then treated to a second (speeded up) airing of ‘I’m Good I’m Gone’, and an encore of A Tribe Called Quest’s ‘Can You Kick It’, which was as good as it was unexpected.

Overall, a good show from a likable lady, but hopefully next time she’ll be in a different venue.

Support was from her statuesque fellow Swede, El Perro Del Mar - The Dog of the Sea, in case you didn’t know. Woof.

A Taco Inlaid Pond

June 12th, 2008 8 Comments

Anagram Sam, Episode 2 of 66667

It’s time for another one of these tremendously pointless posts.

So the new blog description is A Taco Inlaid Pond. This is great for a number of reasons. Here are the reasons:

  • Nobody eats tacos in Ireland, they are too small for our mammoth appetites, and are far too fiddly for our huge blunt hands. We prefer other, more wieldy Mexican and faux-Mexican cuisine, such as the mighty burrito (exemplified by the weighty examples purveyed by La Salsa in Galway). What better to do with tacos therefore, than to inlay a pond with them - perhaps by encasing them in a translucent resin at the bottom of the pond.
  • Apart from tacos, other materials used for inlaying include wood veneer, shells and niello. Perhaps a combination could be used to spruce up the garden furniture near your pond.
  • A pond can be anything from one meter squared, to two hectares in area, so why be constrained by tradition - supersize your taco inlaid pond.
  • Beware, eutrophication can really fuck up your pond (see diagram above).

The confused or feeble-minded amongst you should click here, to understand the dubious premise.

The first in a series of polemics inspired by Controversial Pub-Arguments

Lauded Oscar-winning actor Denzel Washington is exactly the same in every film. It doesn’t matter whether he’s a good guy, a bad guy, a good guy pretending to be a bad guy, or a bad guy pretending to be a good guy. He’s always the same. He should take on some more challenging roles. I want to see him play a computer nerd, or an idiot, or a frenchman, or a woman, or a white man - only then can he realistically be considered a good actor.

 

I just don’t get it. Maybe I have missed some of his key performances. Here are the ones I can recall (voice-overs don’t count):
  • Crimson Tide - Stern, determined black guy
  • Training day - Dodgy, stern, determined black guy
  • He Got Game - Stern, determined black guy
  • Remember The Titans - Stern, determined black guy
  • American Gangster - Dodgy, stern, determined black guy
  • The Manchurian Candidate - Stern, determined black guy
  • Malcolm X - Stern, determined black guy
Pattern? Now don’t get me wrong, he does it well, but in my eyes, it’s all he can do. He’s a one trick pony. Nobody agrees with me on this, but nobody has come up with a credible counter-argument either.

 

Also, is that the opposite of situational irony in the picture up there? I think it is.

I’d been looking forward to this gig for quite a while, as Real Emotional Trash has been a constant on my MP3 player since it came out. Pitchfork didn’t go crazy about it, and neither did I initially, but I found myself listening to it again and again.

Usually, high expectations are bad things to bring to a gig, but for some reason I found myself telling everyone that I thought the Jicks gig was going to be great (this was partly due to one of my friends pulling out, as the gig clashed with Holland vs Italy). Thankfully, I was right, and it was (great). A solid set of Malkmus material, new and old, was played with enthusiasm by the impressive four-piece. ‘Steve’ as he called himself looked like he was enjoying himself, especially during the instrumental detours common to many of their songs, and he also kept the crowd updated with the Euro 2008 scores. Ex-Sleater Kinney drummer Janet Weiss is probably the best female drummer I’ve seen live - very impressive, and both she and bassist Joanna Bolme chip in with backing vocals. Joanna Bolme’s main weakness seems to be her bladder - it’s not big enough to last a full gig. The ensemble is completed by Mike Clark, who fills the holes with guitar and keys.

Many of Malkmus’ tracks, especially those from the new album, could be described as indulgent - with their convoluted structure and proggy guitar detours, but these seem to translate superbly to the live show, with Malkmus and Weiss playing off each other and really giving it socks*, as they say. It seems that general guitar fun is vying for Steve’s creative affections, which were previously focused on lyrical fun, though anyone who has listened to Real Emotional Trash will know that the lyrics are as Malkmus as ever.

It was an entertaining and charming set, with fine renditions of ‘Cold Son’, ‘Gardenia’ and the sprawling title-track of the new LP - ‘Real Emotional Trash’. The highlight for me was ‘Baltimore’, probably the most indulgent tune of all. It’s just a great guitar-rock song, one that convinces you (if only for an hour or two) that you should find an electric guitar, plug it in and play it until the electricity bill arrives.

A three-song encore wound things up and Steve said his goodbyes, though the rest of the band seemed reluctant to leave, but I suspect the Tripod time-keepers were turning the screw. Despite Holland vs Italy turning out to be the best game of Euro 2008 so far (apparently - trying to catch the highlights on TV is nigh-on impossible, it seems), I’m pretty sure it couldn’t have been as entertaining as this gig.

Support came from the highly amusing Jeffrey Lewis, who warmed the crowd up admirably, with, amongst other things, an illustrated history of communism in Russia (which he somehow tyre-levered into a song of sorts), and the story of the Creeping Brain. Very strange - it shouldn’t work, but it does.

 

*Anyone know where this phrase comes from? It makes little sense to me. Giving someone socks seems like a very mundane thing to do. Here, I got you some socks.. eh, they’re 100% cotton..

 

Saturday evening was my first time to see Radiohead in the flesh. I was on a Willy Foggesque ’round-the-world-in-a-hurry trip the last time they were in town, at Marlay Park with support from Beck, and before that, I don’t know, I have no good excuse. So I was eagerly looking forward to ticking one of the few currently active bands whom I have never seen, but want to see off my list (other notables still on the list include Yeah Yeah Yeahs and Morrissey, and Morrissey gets ticked next month).

It was also my first time at a gig at Malahide Castle, and it was, generally, a very agreeable experience. Easy access via the DART, nice open parkland with big old trees and a castle (unsurprisingly), plenty of space, chips, cream cake, beer, toilets, friendly staff at the gate, etc. Also, the great weather kept things (toilets, people in impractical shoes) civilized, and the crowd in good spirits. The stage setup was pretty impressive, with lights and video screens and a dangly curtain of dangly things framing the band.

And then these songs were played, in this order:

01 15 Step
02 Bodysnatchers
03 Airbag
04 Bangers + Mash
05 Nude
06 Pyramid Song
07 Weird Fishes/Arpeggi
08 The Gloaming
09 The National Anthem
10 Faust Arp
11 Videotape
12 Optimistic
13 Where I End And You Begin
14 Reckoner
15 Everything In Its Right Place
16 All I Need
17 There There

Encore 1
18 Exit Music (For A Film)
19 Jigsaw Falling Into Place
20 Climbing Up The Walls
21 Planet Telex
22 How To Disappear Completely

Encore 2
23 Super Collider
24 You And Whose Army?
25 Idioteque

So, as you can see, there was a lot of In Rainbows. For those who like numbers, here’s how that breaks down (though maths isn’t my strong point):

  • In Rainbows: 9 +1
  • Kid A: 5
  • Hail To The Thief: 3
  • OK Computer: 3
  • Amnesiac: 2
  • The Bends: 1
  • New songs: 1

It was all very impressive, all two hours of it - they sounded huge when they needed to, and delicate they wanted to. Highlights for me included In Rainbows disc 2 tune ‘Bangers + Mash’, ‘Reckoner’, and the entire second encore, which included a brand new song, played solo by Thom on piano - ‘Super Collider’ (which got its debut the previous night apparently).

On balance, looking at the crowd I’d imagine a lot of people were hoping for a few more pre-Kid A tracks (especially when they closed the previous night with ‘Just’ and ‘Paranoid Android’), and of course I would have liked to hear a few of the classics, but maybe Radiohead were going on the assumption that the Saturday (being the quickly sold-out first show) crowd would have more… receptive fans, possibly, whereas the Friday show might attract more of a Best-Of crowd. I don’t know, I could be wrong, maybe they just play whatever they feel like playing, which is, and was, fine by me.

Bat For Lashes sounded interesting, but to be honest, I was more interested in the cream cake I was eating at the time. I couldn’t actually see the stage from my spot on the grass, but it sounded very Bjorkish. I’m usually not so lazy about support acts, but the sun and the grass seemed to demand lazing around and eating. There’s a review of it here (BFL, not the cake), which I largely agree with.

P.S. I took some photos, but haven’t had a chance to upload them yet - I’ll add one later. [done]

It’s been a while since I bought any vinyl, but I couldn’t resist a twelve 7’s for a tenner deal from Borderline Records’ stall in Temple Bar today. It’s mostly stale cheese, but there are a couple of nice finds.

Click the links for youtube videos (you really should, some are hilarious).